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Audio Evolution is a prefessional operation. I am always treated with respect and the team is always ready to help me out when I bring my car back in for whatever reason. I was satisfied with my most recent visit and look forward to doing business with Audio Evolution in the future. From recording song ideas to full-fledged mobile productions, Audio Evolution Mobile sets the standard for music creation on Android. Whether you are recording using the internal mic or recording from a multi-channel USB audio (.) or MIDI interface, Audio Evolution Mobile rivals desktop DAWs. Featuring editing with unlimited undo/redo, virtual instruments, real-time effects, mixer automation. Dec 09, 2019 Auto-Tune Pro is the most complete and advanced edition of Auto-Tune. It includes both Auto Mode, for real-time pitch correction and effects, and Graph Mode, for detailed pitch and time editing. For twenty years, Auto-Tune has been the professional standard for pitch correction, and the tool of choice for the most iconic vocal effect in popular.
Auto-Tune Pro is the most complete and advanced edition of Auto Tune for Windows PC. It includes both Auto Mode, for real-time pitch correction and effects, and Graph Mode, for detailed pitch and time editing. For twenty years, the tool has been the professional standard for pitch correction, and the tool of choice for the most iconic vocal effect in popular music.Now, with the introduction of Auto-Tune Evo VST, it’s more versatile and easy to use than ever before, thanks to a totally redesigned interface and powerful new processing, editing, and navigation features. Added automatic key detection with the new Auto-Key plug-in (included with Auto Tune purchase), Classic Mode for the “Auto-Tune 5 sound,” real-time MIDI Control, and ARA for closer integration with supported DAWs. Both the Auto Mode and Graph Mode interfaces have been redesigned to offer the most efficient, flexible, and intuitive workflow for professional users and beginners alike. Antares Autotune VST Evolution Auto Performancealso includes Flex-Tune and Humanize for more transparent and natural-sounding tuning, and Low Latency mode so you can perform in real time without distracting delay.It also features Time Correction for non-destructive time editing, as well as Formant Correction, Vibrato Controls, and Throat Length Modeling. Whether you want to quickly touch up a few questionable notes or meticulously polish an entire performance, Auto-Tune for PC offers the professional pitch correction and classic effects you’re looking for. In addition to key and scale, Auto-Key also tells you the reference frequency of your music. Most modern music is tuned so that A is equal to 440 Hz, but this is not always the case. If your music or samples are tuned to a different reference frequency, Auto-Key will show you what it is, so you can make the necessary adjustments when applying pitch correction or selecting samples. Features and Highlights
Note: 10 days trial version. Requires a compatible host program that supports the VST format.
Also Available: Download Auto-Tune for Mac The History of Auto-Tune
Auto-Tune is a proprietary audio software program that alters pitch. Auto tune 4 cool edit pro. The program was released by Antares Audio Technologies in 1997 and until recently has played an integral, but discreet, role in music sales. Lately Auto-Tune has begun to influence the industry’s sound openly, such as in the TV Show “X-Factor,” which openly uses the program to tweak contestants voices. (X-Factor contestant Gamu Nhengu shown above)
Reposted from: http://new.uk.music.yahoo.com/blogs/behind_the_music/ More at: The history of Auto-Tune, -Ben Gilbert
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This time last week, most people had never heard of Auto-Tune. Now everyone is talking about it. Despite playing a key role in selling millions of songs over the last decade, it’s taken a hugely controversial appearance on the ‘X Factor’ to raise the profile of this recording studio tool. But what exactly is Auto-Tune?
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It’s pitch-correcting computer software devised by US scientist Andy Hildebrand, after he was challenegd by a dinner party guest to invent a machine to help people sing in tune. His firm Antares Audio Technologies launched it in 1997, armed with the adage “I can’t believe that’s possible” and innovative products to match for musicians, producers and engineers.
Originally intended to correct any sharp or flat notes from a singer’s recorded performance, Auto-Tune quickly became a top secret hit in the music industry. That was until Cher‘s 1998 smash ‘Believe’ exposed exactly what was going on in recording studios across the world, as Hildebrand confirms.
“The studios didn’t like to talk about what they were doing, in general. I mean, this was in the fall-out of Milli Vanilli. So they didn’t advertise the fact they were fixing the singer’s pitch, but they did, and they all knew what it sounded like if you set that control to zero. She was just the first to make it public,” he explained.
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Instead of attempting to make subtle adjustments to the track, producers Mark Taylor and Brian Rawling reportedly reset the software’s “retune speed” and came up with the mangled, robotic effect which spawned a global smash and blew the Auto-Tune lid wide open. From tinkering with studio equipment for a joke, the creators of the song had invented the now inescapable “Cher effect”.
Auto Tune Audio Evolution
Auto-Tune has taken on a life of its own, becoming a production staple in the worlds of R&B and pop. US rapper T-Pain is now synonymous with the studio technique, inspiring the likes of Snoop Dogg, Lil Wayne and Kanye West to follow suit. In fact, the latter even recorded an entire album, 2008’s ‘808s & Heartbreak’, with the software.
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However, controversy has also followed, with music lovers and performers leading a backlash against a tool that can, after all, make singers sound pitch perfect when they are nothing of the sort. In 2009, Jay-Z issued ‘D.O.A. (Death Of Auto-Tune)’, telling his fellow hip hop stars that it was time to ditch the technology, which industry experts claim is now used in 99% of recorded music.
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Now Britain’s favourite TV programme is gripped by accusations that contestants on Saturday’s opening show of the series had their vocals tweaked. ‘X Factor’ chiefs admit that auditions by Gamu Nhengu, G&S and Shirlena Johnson were altered in post-production, with some critics suggesting it throws the authenticity of the entire show into question.
What do you think of Auto-Tune? Is it good or bad for music? Should it be used in ‘X Factor’ or does it defeat the entire point of the show? Have your say below…
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